Friday, April 24, 2015

Istana Woodneuk

With the kind permission of one of our Nostalgic Singapore members, Divij Sood, I have reproduced this wonderful article about one of the hidden treasures in Singapore, the Istana Woodneuk. You can find Divij's other interesting blogs at Singapore Sundays.

 

Smack in the centre of Singapore, nestled in groves of tropical forest lies an abandoned building. The imposing entrance, the large tiled awnings, the regal balcony balustrades, the floral stone screened windows, all tell a tale of a royal past. And Istana Woodneuk was just that. Home to Sultana Khadija, the fourth wife of Sultan Abu Bakar of Johor, the mansion was, in its glory days, considered one of the most beautiful private houses in Singapore. With its blue tiled roof and its location on top of a hill, the mansion commanded a dominating position on the landscape.

Istana Woodneuk in 1986
 Istana Woodneuk in 2015

Today I led Ayush to Istana Woodneuk as a surprise. He had no idea that such a palace existed and that too at such an unlikely location. We started of around 7AM and made our way to Woodneuk. Here is a photo-essay of our trip today.

Woodneuk is not marked on the map. On Google maps, the entire compound is shown as a plain blurb with nothing inside. The reason for it being unmarked is probably that the land on which Woodneuk stands is still owned by the descendants of the Sultan.

The pin marks the point where the ruins exists

What the map also doesn't show is that there is no direct entrance to the ruins. A couple of years ago, I tried finding the entrance. I couldn't. A while after that, in 2013, I went again and by sheer luck and a willingness to step into the grove, I found the entrance! So when we reached the entrance today, Ayush was pretty taken aback. Honestly, if you're not paying attention it is extremely easy to miss the entry from the footpath.


The left turn into the grove appears suddenly and is very very easy to miss

The undergrowth and the trees are so thick in places that you have to carry your bike on your shoulders to get through. The forest floor is also strewn with logs and boulders that make it impossible to cycle on this stretch.

 
Push, carry and repeat


The forest path is rather short though, only about 300m in from the road. But by the time we reached to the top of the slope, we were sweating profusely. It took us about ten minutes to cover that stretch. Once you make it to the top of the hill, you're greeted by the welcome sight of a four wheel track; probably remnants of the old driveway that led to the Istana.

The ‘driveway’ to the Istana. If you look closely, you can spot a number of wild banana trees along the path
A five minute ride along the really bumpy driveway we finally set our eyes upon Istana Woodneuk.

First view of the ruins

With the tropical growth almost engulfing the entrance, the Istana looked like a mere shadow of its former self. Knee tall grass and shrubs now reigned where once tea parties were probably held. The floor where the Malaysian royals once walked on gleaming Italian marble was cluttered with trash. With these poignant thoughts we parked our bikes and entered.

March 2013
February 2015


The entrance hall seemed to have deteriorated in the last two years. Now it is stacked with metal and wooden cabinets under tarpaulins and the tarps under a thick coat of dust.

By 8AM, the sun was streaming through the gaps where gilded windows probably stood and drapes made of Egyptian cotton hid the ladies from the eyes of the servants. The sunlight gave the entire place a sepia-ish look. Its not too hard to imagine the twin staircase in its prime; polished wood gleaming under a red carpet while the chandelier above cast a million diamonds on the plush red velvet. Or even the ballroom which entertained the high and mighty of the royal house.

The ballroom
Staircase to the second floor


The roof of the entire building collapsed after a fire in the 1990's. Since then, the dilapidated walls, after years of organic and elemental damage, have become a canvas for the few visitors to the place. While some of the graffiti is creative…

 … other drawings are a tad bit ominous!
666? The devil?
The all seeing eye? 
A lost poet...

Parts of the compound are so overgrown with trees and bushes that they have started to resemble the old temples in Cambodia!

Bayon Temple, Cambodia
 
Istana Woodneuk, Singapore


Trees now grow out of cracks in the walls. The hallways are covered with leaves and branches. Spider webs adorn window frames. Lizards scurry along on the ceilings.

The ruins of Woodneuk, with the dark corridors, the collapsed ceiling, an eerily clean kitchen stove, all inspired slight trepidation in me. And of course the whole environment of the place inspired Ayush to act like a zombie and pose for a photograph in one of the alcoves on the wall. And of course he also wanted to take a picture with a door that had 'No Entry' spray painted on it in blood red paint…






One thing I observed today was that Man's attempt to tame Nature will go on. But Nature is a silent warrior. No matter what we build or what we destroy, Nature will always be the victor. Throughout Woodneuk, I could see Nature taking over. From small mosses to tall trees, everything growing on the structure and converting what was once dust, to dust again.

It's the dance of the moss on the wooden ballroom floor now

We concluded our trip to Woodneuk at about 845AM. After making our way through the forest grove, we cycled back to NUS. Today was a short trip, only about 2 hours. That's all for Singapore Sundays 5. I'll leave you with the route map and some pictures, as always.



The photo of Woodneuk from 1986 was taken from here.

All other photos were from today or my previous trip.

More info about Istana Woodneuk can be found here, here and here.

Monday, April 20, 2015

The Human Touch – A story about connections - by Alison Laverty

 

This blog features a brief summary of a book written by one of our Nostalgic Singapore members, Alison Laverty who currently resides in Brisbane, Australia. Alison hopes to release the book either at the end of this year or early next year. She writes her own blog at http://www.photoshowondvd.com.au/blog/


Table of contents for the book:

Part One - Singapore
1.    Singapore the City that never sleeps
2.    Learning the valuable Lessons presented in life
3.    Life changing moments
4.    Awakening your Spirit of Adventure
 

Part Two - Australia
5.    A new beginning …
6.    The Heart and Soul of Passion
7.    The Power of One
8.    The Future is WOW!!!
 

Book summary
The Human Touch is my story of how a disconnected timid girl, who experienced adversity in her childhood, picked herself up, followed her heart and lived her dreams.
 

Written for and dedicated to my children, my book contains various poems written by me and lessons from my life experiences in Singapore.

My vision for our future is that we live in a world that honours and respects life and where life is treated with dignity. My purpose is to inspire you to follow your dreams and make them come true by believing in yourself.


My goals for this book are 3 folds:


1.    Empower people to embrace their fears and failures because they contain valuable life lessons;
2.    Believe in the impossible;
3.    Follow your dreams to live the life you were born to live.


Be prepared to believe in the impossible!


Alison in Singapore in 2003
Alison Laverty Bio
After working for 20 years in Singapore, Alison moved to Brisbane, one of her lifelong dreams. She graduated from Queensland University of Technology with a Bachelor’s Degree and started a family business, Photoshow on DVD, specialising in multimedia, slideshows and video production for families and businesses. Her mission is to help people honour life by celebrating and recognising their achievements through photographic and video memories. Alison is a mother of two young children and wife to a wonderfully down to earth husband. They live a quiet life in Queensland, Australia.

Wednesday, April 15, 2015

Interview with Yatim Halimi - Bassist Extraordinaire

Here's an interview that I conducted with Yatim Halimi, a Singaporean musician currently residing in Swansea, Wales. This interview was conducted backstage at the Music Hall in Barcelona before Yatim's concert with the Steve Rothery Band in November, 2014. Yatim was active in the Singapore music scene in the 1980's and 90's and played in top Singapore bands like Energy, Streetsmart and Lovehunters. He is currently playing with Steve Rothery (Marillion guitarist) in the Steve Rothery Band and Panic Room. (Interview by Reynold Pereira)


1. How and when did you start playing music?
I started at a very young age of 6 years old. My grandfather had a family band playing traditional keronchong music and would go out every weekend to play at weddings and functions and I would come along as my mom was the main singer in the band and my dad was the flutist. I would be given a maracas or a bongo to play along with the music. 

When I was in primary school, I joined the school brass band and learnt to play the clarinet and saxophone but deep down inside me I always wanted to be a drummer so whenever there was an opportunity during breaks at the rehearsals I would jump on the drum kit and start playing it, even at home I would do air drumming while listening to whatever music my parents were listening to at that time. All my uncles’ were full time musicians when I was growing up so I was always surrounded by music.

Yatim (extreme right) with Streetsmart in 1985
2. Why did you decide to pick up the bass guitar?
It was purely by accident. I was playing drums for a dance band when I was 17 years old and we had an offer for a 6 month contract to play at a ‘sailor’ bar along Keppel Road and I was so excited about the prospect of playing drums full time and getting paid before I started my national service. 

Two weeks before the contract started, the bass player had to pull out for personal reasons. So, we had a band meeting and we were desperate to honour the contract and couldn’t find a bass player so the singer suggested that he will play the drums and sing and that I would have to learn to play the bass and sing as well. 

I had never played a bass guitar all my life but because I wanted to do this so badly, I was willing to do anything just to be part of the band  

We borrowed a bass guitar and the guitarist showed me how to tune the bass and that was it. So what I did for the next 14 days was to listen and memorise the notes being played on the songs, find the notes on the bass and remember it as I didn’t know the notes on the bass, just the positions of which frets I should be playing. 

It was only when I was doing my national service that I started to understand what the bass was all about and where the notes were on the fretboard.

Yatim (left) with Lovehunters in 1995
3. Was there someone who inspired you to play music?
My parents and my uncles. My uncles travelled  to Europe and Asia playing music in the 70’s. I always wanted to travel around the world and this was the best way to do it, getting paid to see the world.

4. Can you remember the first concert that you did?
Yes, it was with StreetSmart at the Padang in 1986. I think it was a National Day Concert?

5. What made you decide to go into music full-time?
Because I love playing and performing and the opportunity to see the world through music is just a blessing.

Yatim (top right) with the founding members of Energy in 1990
6. Can you tell us about the bands you played with?
In Singapore 1986 – 1996
•    StreetSmart with Babes Conde as my mentor
•    Tokyo Square – short stint
•    Energy (original bass player) with Douglas O
•    Lovehunters with Ramli Sarip   
   
In the UK 1997 – Present
•    Worst Case Scenario
•    Buttonsville
•    Panic Room
•    Steve Rothery Band       

7. Why did you decide to leave Singapore?
I wanted to do more in music. I got a bit tired of playing the same music/covers in the last ten years of my career in Singapore and my wife and I also decided that we wanted our children to be brought up in the UK so in Jan 1997 we left Singapore and have no regrets ever since.

8. Did you continue playing music when you moved to the UK?
Yes, I did. When I first got here 1997 I wanted to base myself in London as there would be a lot of session work for me but my wife didn’t like being in London so we came back to Swansea where my wife is originally from. I started working at a music shop in Swansea called Picton Music. One day I was playing the basses in the shop and got noticed by a Moroccan artiste, Hassan Erraji who was looking for a bass player for his tour and the rest is history.

 Yatim (extreme right) with Panic Room in 2014
9. Was it difficult playing music there?
I have been very lucky since I have been in the UK. Once I had established myself as a bass player, I got lots of enquiries about my availability. Sometimes I have to turn them down due to commitments with other bands. 


10. How different is it playing music in the UK as compared to playing music in Singapore?
Most cover bands here in the UK plays only on 3 to 4 times a week and playing at different venues every time. Most venues don’t provide PA or musical equipment so all bands need to have their own equipment and PA system and will have to set it up themselves whereas in Singapore I think musicians are spoilt as all they need to do is to bring their guitars/ drumsticks and just play. I have learnt a lot about the logistics, setting up, communications and everything that is required to make a successful show.

11. How does it feel like playing with a well renowned musician like Steve Rothery?
I feel humbled, honoured and proud. I remember when Misplaced Childhood (Marillion) was released in 1985, I had Kayleigh playing on my Sony walkman over and over, and I always had this dream of playing with Marillion and 29 years later, here I am, working with Steve Rothery; the man himself!

 Yatim (right) with Marillion guitarist, Steve Rothery during a Steve Rothery Band concert in 2014
12. For the benefit of bass lovers here, what gear do you currently use?
Currently I am using a Trace Elliot Rig – SMX250 amphead + 2x10+ 1x15 and a TC Electronic Rig – RH750.BH250 ampheads +2xRS210 for my amplification. It is a necessity for me having 2 rigs, For example, from September to November, I will be spending a lot of time in Europe with both Panic Room and the Steve Rothery Band.

While I will be in Holland, France and Belgium with Panic Room during the last week of September this year, I will be using my Trace Elliot rig and the TC Electronic rig. It will be loaded onto the Steve Rothery Band tour bus and shipped to Sweden ready for me to use in October.

I do also use a microamp BH250 when I do gigs requiring travelling by plane as it is compact and I can just carry it with me on the plane.

Steve Rothery Band concert in Bulgaria in 2014
As for pedals – I use various pedals and pedal boards depending on the gig. For example, I have got a different pedal board setup for Panic Room and the Steve Rothery Band. The following are the pedals that I use.

•    TC Electronic
•    Analogman Chorus
•    EWS pedals
•    Xotic pedals
•    Origin Effects Cali76 compressor
•    BBE Sonic MAximiser
•    Drawmer Compressor
•    Tri-logic preamp
•    Zoom pedals
•    Gigrig Quartermaster 8
•    Gigrig Loopy 2
•    Gigrig Generator

13. What are the things that you miss about Singapore?
My parents, family and friends

 Yatim during a recording session in 2014
14. Would you consider returning to Singapore?
No, I don’t think so. My family is here now. My children are happy here in the UK and they can decide if they want to live in Singapore when they are older. As for me I will go back to Singapore for visits but Swansea is my home now.

Posing with Yatim (right) and Steve Rothery (centre) before their concert in Barcelona in November, 2014